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The original project also included a character that never appeared in the final version of the product, a girl similar to Rei but with dark hair named Yui Ichijō. Despite the general indications, Anno did not follow a well-defined plan for the development of the protagonists, improvising as the episodes passed and following his instincts, as in a "live performance". Much of them were already outlined, despite differences in script.
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#Neon genesis evangelion episode 19 eng dub series#
In 1993, which was about two years before the series aired, the production studio established a temporary lead on the creation of the characters in a presentation document titled Kikakusho ( 企画書). It's strange that Evangelion has become such a hit - all the characters are so sick! Anno also pointed out that Shinji and the other main characters are not to be considered a mirror of his personal experience only, but a reflection of all the other members of the series' creative staff as well. On the surface, different 'seasonings' have been used, but inside really are very similar". According to Kazuya Tsurumaki, assistant director of the series, the autobiographical intent could also be detected in the female protagonists and secondary characters, such as Misato Katsuragi, Rei Ayanami, and Ryoji Kaji: "Every character is ultimately the same. Furthermore, according to the director himself, Kaworu Nagisa and Gendo Ikari represent his shadow, that is, the dark, unconscious side of an individual's psyche. Shinji, for example, was modeled and conceived as a mirror of his self, "both the conscious and unconscious part". Because I don't know where life is taking the staff of the production.įor each character, he took cues from a part of his personality, stating that: "All the characters of Evangelion are me". I don't know what will happen to Shinji, Misato or Rei. That is because within me, the story is not yet finished.
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I know my behavior was thoughtless, troublesome, and arrogant. It is a production where my only thought was to burn my feelings into film. "You can't run away," came to me, and I restarted this production. A man who ran away for four years, one who was simply not dead. I tried to include everything of myself in Neon Genesis Evangelion - myself, a broken man who could do nothing for four years. The director of the series, Hideaki Anno, an otaku since his youth, fell into depression after the conclusion of Nadia: The Secret of Blue Water and poured his personal into Neon Genesis Evangelion because of this, making it a reflection of his feelings: The aim was to create a series that reflected on the incommunicability of contemporary Japanese society, considered to be in ruins. Yoshiyuki Sadamoto's early draft for the character designs of the main charactersĪs the main theme of the anime, the Gainax studio chose the problem of interpersonal communication, insisting in particular on that between different generations, such as parents and children.